EIDOS

The image aidos developed by Victor Beevovarov was the key impulse of my project. In his work, the ideal utopian form is transferred to  the Soviet reality and  turns into  the symbol of impersonalization: a person loses his personality and  becomes an element of the system. This reductive figure continues the avant-garde tradition of human modelling through shape, but  u  it is filled with internal tension — fragility, concentration, trying to keep personal in  conditions of the given structure.

These artistic principles — geometry, shape modification, composite stringency — have become the basis of my collection. I’m looking at Eidos as a model, which is human, and  abstract co-existence, but  is found in  a permanent conflict. Siluets, color blocks and  design decisions capture the stages of this transition: from  shape to  graduality of its  violation when the body begins to resist a given ideal.

The future collection becomes a statement about the possibility of release. The geometric structure is no longer  it absorbs the figure, a  it is transformed into  a field to seek personal freedom. Through the shape, the movement and the  composition I  seek to show the moment when a person comes out of the  pre-defined scheme and  returns his right to  individuality.

The manufacturing technology I developed in the first module is based on the furniture principles of assembly. The use of a dense base and a manual seam allows for the creation of clear, stable geometric structures that form independently of the movement of the body. As a result, the clothes acquire architectural expression and become closer to the abstract form of the Eidos rather than the traditional soft silhouette.