Consequence of Perception

In the age of algorithms and machine vision, I explore how a human view can still be an act of resistance — living, imperfect, intuitive. Using number-painting as a metaphor of a digital order, where everything is predetermined, I put a manual layer on it, a graphic layer, a self-portrait. It’s a space where nature and man merge in a single rhythm, and the line becomes the boundary between automaticity and feeling.