The project explores the relationship between crafts and time: both a pattern is born out of a variety of small, repeated actions, and a year comes out of days.
The calendar is in the form of circles with an internal concentric circle, which refers to the lace braiding process. The master begins the pattern from the center and gradually spins it around, so the form of the calendar repeats this logic. The diameters of the circles increase from 20 cm to 50 cm, symbolizing the gradual growth of the work: each month the pattern becomes wider and more complex, as if it were getting more lace.
When I created the calendar, I first drew lace pattern, then numbered the individual elements and placed the days of the week on them. So every day of the calendar, it’s entwined in the pattern. A month after a month, time turns into lace — an ornament of moments, where each date leaves its mark.
Every month you can use it as a embroidery stencil, replicating a pattern created day and week.
So, day after day, month after month, time turns into lace — an ornament of moments, where each date leaves its mark in pattern.
