The project is inspired by the work of Francisco Infante, in which the artist grapples with the question of infinity and the possible ways to convey it. The search led to the idea of representing different variations of the beginning of all things through the interconnection of geometric shapes (representing human consciousness) and tree branches (representing life in its primal form). Ultimately, three main shapes were isolated: the square, the triangle, and the circle.
In addition to the classic painting of objects, the sgraffito technique was used, which involves first applying a layer of engobe and then scratching the design once it has dried.
During the process, it became clear that every individual perceives beginnings differently—for some, they are bright, while for others, they are dark. From this thought, the product inversions were born.
